Marta Traba, Art of Latin America: 1900-1980, John Hopkins University Press, Baltimore, Maryland, 1994.
Mark Morgan Ford and Suzanne Brooks Snider, Central American Modernism, Capp & Bells Press & Ford Fine Art, Delray Beach, Florida, 2018.
Periodicals and Magazines
ArtNews Magazine, Full-page Announcement of Website Opening, dinoarandaartist.com, 2023
Art in America Magazine, Full-page Announcement of Website Opening, dinoarandaartist.com, Winter 2023
“Fondo del Sol, the Nation’s Second Largest Spanish-speaking and Hispanic-oriented Museum,” Nuestro Magazine, March 1985.
Marta Traba, “Mirar en Nicaragua,” El Pez y la Serpiente, Editorial UNION de Cardoza y Cia, Ltd., Managua, Nicaragua, January 25, 1981.
Charlotte Moser, “Hispanic Visions,” Art News, January 1979.
Jorge Edwardo Arellano, “Boletin Nicaraguense de Bibliografia y Documentacion,” Biblioteca, Banco Central de Nicaragua, Vol. 20, 1977, Managua, Nicaragua.
Joshua Taylor, Director, National Collection of Fine Arts, Smithsonian Institution, “Raices y Visiones,” Exposicion de Artistas Latinoamericanos en la NCFA de Washington, D.C., Ahora, Dominican Republic, 1977.
Cambridge University Press, Vol. 31, Issue 1, July 1974, pp. 109-110. Book Review: Braves and Buffalo: Plains Indian Life in 1837. Watercolors of Alfred J. Miller with Descriptive Notes by the Artist, Introduction by Michael Bell, (Toronto: University of Toronto Press, 1973), and Homage to the American Indians. By Ernesto Cardenal. Translated by Monique and Carlos Altshul. Illustrated by Dino Aranda. (Baltimore and London: John Hopkins University Press, 1973).
Exhibition Catalogues
“Figure and Context,” Two-man Exhibition by Dino Aranda and Juan Downey catalog essay by Rebecca Crumlish, Fondo del Sol Visual Art and Media Center, Washington, D.C., 1979.
“Ancient Roots/New Visions,” Catalogue Essay by Marc Zuver and Rebecca Crumlish, Fondo del Sol Multicultural Museum, Washington, D.C., Diego A. Navarette, Chairman, National Endowment for the Arts Expansion Panel, Washington, D.C., Santos Martinez, Chief Curator, Contemporary Arts Museum, Houston, Texas, and Thomas M. Messer, Director, Guggenheim Museum, New York, New York. Published by the Tucson Museum of Art, Tucson, Arizona, 1977.
“The Art of Poetry,” Catalog Essay by Peter Bermingham, Curator of Education, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C., 1977.
“Museum of Modern Art of Latin America,” Organization of American States Catalog, Washington, D.C., 1976.
“Contemporary Printmakers,” Organization of American States Catalog, Washington, D.C., 1976.
“Ernesto Cardenal-Dino Aranda,” Catalog Introduction by James Harithas, Everson Museum of Art, Syracuse, New York, 1973.
“Dino Aranda,” Catalog Introduction by Benjamin Canas, Forma Gallery, San Salvador, El Salvador, 1971.
“Dino Aranda,” Catalog Essay by Rafael Squirru and Roberto Cabrera, University of San Carlos, San Carlos, Guatemala, 1970.
“Dino Aranda,” Catalog Introduction by Jose Gomez Sicre, Pan American Union, Washington, D.C., 1969.
“Dino Aranda,” Catalog Essays by Rafael Squirru, Cabada Art Gallery, Washington, D.C., 1967.
“Exhibition of Drawings by Dino Aranda,” Catalog Introduction by Jose Gomes Sicre, Praxis Gallery, Managua, Nicaragua, 1966.
Newspaper Articles
“The Art of a Life Time,” Mary Lou Tousignant, Washington Post, February 29, 1996.
“Painter Depicts 25 Years of Nicaraguan Turmoil,” Mary McCoy, Washington Post, June 25, 1992.
“Same Sphere, ‘Other Arts’,” Hank Burchard, Washington Post, November 1988.
“’Caribbean Rhythms’ is an Interesting Mix,” Alice Thorson, Washington Times, October 20, 1988.
“Roots, Visions,” Mimi Crossley, Houston Post, August 1978.
“A Dash of Latino Flash,” Paul Richard, Washington Post, 1977.
“Exhibition of Painting and Poetry – Dino Aranda and Ernesto Cardenal at the Everson Museum,” Marc Zuver, Diario “La Prensa,” Managua, Nicaragua, June 12, 1973.
“Diversity at Everson: Vital, Exciting,” Gordon F. Much, Post Standard, New York, July 12, 1973.
“Dino Aranda Exhibition in Washington,” “The Paintings of Aranda,” Rafael Squirru, La Prensa, undated (sometime in 1969).
