In the Press

Books

• Marta Traba, Art of Latin America: 1900-1980, John Hopkins University Press, Baltimore, Maryland, 1994.

• Mark Morgan Ford and Suzanne Brooks Snider, Central American Modernism, Capp & Bells Press & Ford Fine Art, Delray Beach, Florida, 2018.

Periodicals and Magazines

• ArtNews Magazine, Full-page Announcement of Website Opening, dinoarandaartist.com, 2023

• Art in America Magazine, Full-page Announcement of Website Opening, dinoarandaartist.com, Winter 2023

• “Fondo del Sol, the Nation’s Second Largest Spanish-speaking and Hispanic-oriented Museum,” Nuestro Magazine, March 1985.

• Marta Traba, “Mirar en Nicaragua,” El Pez y la Serpiente, Editorial UNION de Cardoza y Cia, Ltd., Managua, Nicaragua, January 25, 1981.

• Charlotte Moser, “Hispanic Visions,” Art News, January 1979.

• Jorge Edwardo Arellano, “Boletin Nicaraguense de Bibliografia y Documentacion,” Biblioteca, Banco Central de Nicaragua, Vol. 20, 1977, Managua, Nicaragua.

• Joshua Taylor, Director, National Collection of Fine Arts, Smithsonian Institution, “Raices y Visiones,” Exposicion de Artistas Latinoamericanos en la NCFA de Washington, D.C., Ahora, Dominican Republic, 1977.

• Cambridge University Press, Vol. 31, Issue 1, July 1974, pp. 109-110. Book Review: Braves and Buffalo: Plains Indian Life in 1837. Watercolors of Alfred J. Miller with Descriptive Notes by the Artist, Introduction by Michael Bell, (Toronto: University of Toronto Press, 1973), and Homage to the American Indians. By Ernesto Cardenal. Translated by Monique and Carlos Altshul. Illustrated by Dino Aranda. (Baltimore and London: John Hopkins University Press, 1973).

Exhibition Catalogues

• “Figure and Context,” Two-man Exhibition by Dino Aranda and Juan Downey catalog essay by Rebecca Crumlish, Fondo del Sol Visual Art and Media Center, Washington, D.C., 1979.

• “Ancient Roots/New Visions,” Catalogue Essay by Marc Zuver and Rebecca Crumlish, Fondo del Sol Multicultural Museum, Washington, D.C., Diego A. Navarette, Chairman, National Endowment for the Arts Expansion Panel, Washington, D.C., Santos Martinez, Chief Curator, Contemporary Arts Museum, Houston, Texas, and Thomas M. Messer, Director, Guggenheim Museum, New York, New York. Published by the Tucson Museum of Art, Tucson, Arizona, 1977.

• “The Art of Poetry,” Catalog Essay by Peter Bermingham, Curator of Education, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C., 1977.

• “Museum of Modern Art of Latin America,” Organization of American States Catalog, Washington, D.C., 1976.

• “Contemporary Printmakers,” Organization of American States Catalog, Washington, D.C., 1976.

• “Ernesto Cardenal-Dino Aranda,” Catalog Introduction by James Harithas, Everson Museum of Art, Syracuse, New York, 1973.

• “Dino Aranda,” Catalog Introduction by Benjamin Canas, Forma Gallery, San Salvador, El Salvador, 1971.

• “Dino Aranda,” Catalog Essay by Rafael Squirru and Roberto Cabrera, University of San Carlos, San Carlos, Guatemala, 1970.

• “Dino Aranda,” Catalog Introduction by Jose Gomez Sicre, Pan American Union, Washington, D.C., 1969.

• “Dino Aranda,” Catalog Essays by Rafael Squirru, Cabada Art Gallery, Washington, D.C., 1967.

• “Exhibition of Drawings by Dino Aranda,” Catalog Introduction by Jose Gomes Sicre, Praxis Gallery, Managua, Nicaragua, 1966.

Newspaper Articles

• “The Art of a Life Time,” Mary Lou Tousignant, Washington Post, February 29, 1996.

• “Painter Depicts 25 Years of Nicaraguan Turmoil,” Mary McCoy, Washington Post, June 25, 1992.

• “Same Sphere, ‘Other Arts’,” Hank Burchard, Washington Post, November 1988.

• “’Caribbean Rhythms’ is an Interesting Mix,” Alice Thorson, Washington Times, October 20, 1988.

• “Roots, Visions,” Mimi Crossley, Houston Post, August 1978.

• “A Dash of Latino Flash,” Paul Richard, Washington Post, 1977.

• “Exhibition of Painting and Poetry – Dino Aranda and Ernesto Cardenal at the Everson Museum,” Marc Zuver, Diario “La Prensa,” Managua, Nicaragua, June 12, 1973.

• “Diversity at Everson: Vital, Exciting,” Gordon F. Much, Post Standard, New York, July 12, 1973.

• “Dino Aranda Exhibition in Washington,” “The Paintings of Aranda,” Rafael Squirru, La Prensa, undated (sometime in 1969).

Internet Publications

• Washington Post, Paul Richard, A Dash of Latino Flash and Japanese Mist, August 3, 1977.

• Washington Post, Marty McCoy, Painter Depicts 25 Years of Nicaraguan Turmoil, June 25, 1992.

• Washington Post. Hank Burchard, Same Hemisphere, ‘Other Arts, November 25, 1988.

• London Daily Post, Daniel Atkinson, Artistic Currents When Dino Aranda, American/Nicaraguan-born Contemporary Artist, Came of Age, June 8, 2022.

• Seeker’s Time, Irene Gonzales, Dino Aranda: Working With Praxis Galeria Nicaragua, July 1, 2022.

• American Daily Post, Lauren Black, Gomez Sicre’s Contribution to Latin American Art in General, and to Dino Aranda’s Career in Particular, June 8, 2022.

• The American Reporter, Richard Brown, Dino Aranda’s Individual Exhibition at The Pan American Union at Washington, D.C. In 1969, June 8, 2022.

• California Herald, Amy Perry, Aranda Sends Sketches, Watercolor and Other Works From Corcoran School of Art In Washington, D.C. to Praxis Galeria in Nicaragua for Individual Exhibition, June 7, 2022.

• The Open News, Dino Aranda’s Work in Co-Founding Fondo del Sol and Tres America’s Productions, which Produced Liberation Theology: It’s Impact, Broadcast on PBS in September 1983, January 5, 2023.

• Boletin de artes visuals, Issue 19, 1969, digitized by Google Books, p. 12.

• ArtNews, Dino Aranda: A New View of an Epochal Nicaraguan-Born American Artist, October 26, 2023.

• National Gallery of Art, 9 Latinx Artists You May Not Have Heard Of, September 15, 2023.

• Los Angeles International Art Festival, Facebook Page, November 24, 2023.

• Art on Screen, Dino Aranda: Epochal Artistry through a Nicaraguan-American Lens, October 27, 2023.

• National Gallery of Art, Break For Art: Aranda, Matta, Sargent, and Whistler, April 4, 2024